The theme at Cushnie et Ochs was Egyptian royalty, and Maybelline Global Makeup Artist Yadim Carranza gave models a graphic black cat eye that he described as "Cleopatra goes to the Hamptons."

To get the modern-day Cleopatra look, Yadim kept the face clean, slightly contouring the cheeks, before turning his focus to the eyes. He applied Maybelline Eye Studio Color Tattoo Leathers 24HR Cream-Gel Shadow in Dramatic Black in a thick, straight-across line to the upper eyelid. To balance out the bold eye, Yadim filled in brows and swiped Baby Lips Lip Balm in Quenched over the eyelids to add a bit of shine.

Hair stylist Orlando Pita created a sleek, structured knot for Carolina Herrera's spring collection, which was influenced by Japan. To get what Orlando dubbed the "sumo-wrestler knot," he generously sprayed Biosilk Firm Hold Finishing Spray before pulling the hair into a looped ponytail. Once the ponytail was secure, he spritzed even more hairspray onto the knot so that it would stand up on its own. Then, he finished it off with serum for shine.

The African safari-inspired collection at Ralph Lauren meant a mix of camo-colored pants and blouses in classic cuts with pops of color in the form of bright evening gowns and oversized jewels. In keeping with the glammed-up safari theme, makeup artist Tom Pecheaux stuck to bronzed, sun-kissed skin and peachy cheeks. For added glow, he applied a line of gold shimmer powder to the inner corners of the eyes and along the lower lashline, opting to keep lips natural with a bit of Chapstick.

The Polynesian-inspired floral prints and silk robes at Thakoon were given an underwater, island vibe with ocean-inspired makeup and hair. Makeup artist Diane Kendal created a "just out of the water" glossy makeup look, and hairstylist Odile Gilbert went with a pulled back style that appeared to be wet.

For the makeup, Kendal focused on glowing skin, prepping with Nars Skin Luminous Moisture Cream and Optimal Brightening Concentrate before applying concealer and foundation. To give eyes a wet sheen, she applied Nars Triple X Lip Gloss on the eyelids.

To get the same wet look for the hair, Gilbert applied Kérastase Forme Fatale from the top of the head to the mid-length of the hair. After straightening, she took two small sections of hair from either side of the head and tied them into a knot at the back before double knotting. To finish the look, she applied Gloss Appeal before setting in place with hairspray.

The makeup at Pamella Roland was created by Matin Maulawizada for Laura Mercier, following the same script as the designer's Japan-inspired collection.

For a pretty pink cherry-blossom look, Maulawizada started with luminous skin and concentrated on exaggerating the cheeks. After applying Laura Mercier Bonne Mine Stick Face Colour in Bronze Glow to the tops of the cheeks and around the eyes, he then used Crème Cheek Colour in Rosebud on top of the bronzer and around the eyes, temple and brow bone, avoiding the apples of the cheeks. More Crème Cheek Colour in Oleander was applied under the eye and on the cheeks before adding highlighter to the cheek and brow bones.

Eyes got a dusting of rich brown colors along the lids, blending outwards to mimic the branches of the cherry blossom trees, and lips got a layer of Lip Glacé in Bare Baby with the cheek color pressed over top.